Digging for fire contemporary art practices in postwar Lebanon - by Kaelen Wilson-Goldie

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dc.contributor.authorWilson-Goldie, Kaelen
dc.contributor.departmentCenter for Arab and Middle Eastern Studies
dc.contributor.facultyFaculty of Arts and Sciences
dc.contributor.institutionAmerican University of Beirut
dc.date2005
dc.date.accessioned2012-06-13T07:09:27Z
dc.date.available2012-06-13T07:09:27Z
dc.date.issued2005
dc.descriptionThesis (M.A.)--American University of Beirut, Center for Arab and Middle Eastern Studies, 2005.;"Advisor: Stephen Sheehi, Assistant Professor, Civilization Sequence Program--Member of Committee: Samir Khalaf, Professor, Department of Social and Behavioral
dc.descriptionBibliography: leaves 206-211.
dc.description.abstractOver the past fifteen years, Lebanon has witnessed a surge in contemporary art p ractices in such media as video, installation, performance, and urban interventi on. An impressive set of aesthetic strategies and a substantial body of critical discourse ha
dc.format.extentxii, 211 leaves : ill. (some col.) 30 cm.
dc.identifier.urihttp://hdl.handle.net/10938/7068
dc.language.isoen
dc.relation.ispartofTheses, Dissertations, and Projects
dc.subject.classificationT:004707 AUBNO
dc.subject.lcshVideo art -- Lebanon
dc.subject.lcshArt and society -- Lebanon
dc.subject.lcshPolitics in art
dc.subject.lcshArt, Modern -- 21st century
dc.titleDigging for fire contemporary art practices in postwar Lebanon - by Kaelen Wilson-Goldie
dc.typeThesis

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