The Different Styles of Christine de Pizan. An Initial Stylometric Analysis

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dc.contributor.authorRichards, Earl Jeffrey
dc.contributor.authorWrisley, David Joseph
dc.contributor.authorDulac, Liliane
dc.contributor.departmentDepartment of English
dc.contributor.facultyFaculty of Arts and Sciences (FAS)
dc.contributor.institutionAmerican University of Beirut
dc.date.accessioned2025-01-24T11:23:52Z
dc.date.available2025-01-24T11:23:52Z
dc.date.issued2016
dc.description.abstractThis article attempts to identify the different styles employed by Christine de Pizan in all of her works using empirically based stylometric analysis. The results, at once heuristic but also statistically significant, suggest as well that besides Christine de Pizan, other medieval French authors such as Jean de Meun, Froissart and Gerson, have at least two, if not more, stylometric footprints. The methods employed and the ramifications of the results are discussed briefly as well. © 2016, Brepols Publishers. All rights reserved.
dc.identifier.doihttps://doi.org/10.1484/j.Lmfr.5.111478
dc.identifier.urihttp://hdl.handle.net/10938/25855
dc.language.isofr
dc.publisherBrepols Publishers
dc.sourceScopus
dc.subjectLanguage and linguistics
dc.subjectLinguistics and language
dc.subjectLiterature and literary theory
dc.titleThe Different Styles of Christine de Pizan. An Initial Stylometric Analysis
dc.typeArticle

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