Imagery makes social media captivating! Aesthetic value in a consumer-as-value-maximizer framework

dc.contributor.authorAljukhadar, Muhammad
dc.contributor.authorBériault Poirier, Amélie
dc.contributor.authorSénécal, Sylvain
dc.contributor.departmentOSB
dc.contributor.facultySuliman S. Olayan School of Business (OSB)
dc.contributor.institutionAmerican University of Beirut
dc.date.accessioned2025-01-24T12:15:39Z
dc.date.available2025-01-24T12:15:39Z
dc.date.issued2020
dc.description.abstractPurpose: Social media bring about the imagery of people, places and products. Showing particular success in attracting women and millennials, these media (e.g. Instagram, Snapchat and Pinterest) are built around imagery consumption. This paper follows a qualitative theory building approach to extend the theory of consumption values and develop a framework based on the values social media deliver to consumers that explain their use outcomes. Design/methodology/approach: The framework was analytically developed based on a review of the literature. In contrast to frameworks such as stimulus-organism-response (S-O-R), the framework proposes that people consume social media to maximize relevant values, namely, the aesthetic, social and learning value. Then, a study based on semi-structured interviews is performed to elaborate on the values and their undertakings. Findings: The paper defines the consumption’s aesthetic value and underscores it as a focal driver of social media use and a key concept in social commerce. Data analysis suggests that aesthetic value engenders such responses as consumer’s inspiration, infinity sensation and habitual entertainment. Additional drivers of social media users are social and learning values. The social value engenders self-expression and social privacy, whereas the learning value engenders resourcefulness and parallel shopping. Originality/value: This paper stipulates that people consume (i.e. use) social media to maximize relevant values, which, in turn, result in two groups of responses (inner and outer responses). The framework indicates that the relevant values mediate the relation between a stimulus (e.g. social media use) and response (e.g. entertainment, inspiration and behavioral intent). It highlights the centrality of aesthetic value in digital marketing and social commerce environments. The framework, thus, contrary to S-O-R, views the consumer as a maximizer of values rather than (a) processor of emotional and cognitive rejoinders. © 2020, Emerald Publishing Limited.
dc.identifier.doihttps://doi.org/10.1108/JRIM-10-2018-0136
dc.identifier.eid2-s2.0-85090127780
dc.identifier.urihttp://hdl.handle.net/10938/33403
dc.language.isoen
dc.publisherEmerald Group Holdings Ltd.
dc.relation.ispartofJournal of Research in Interactive Marketing
dc.sourceScopus
dc.subjectCustomer value
dc.subjectOnline consumer behavior
dc.subjectQualitative research
dc.subjectSocial media marketing
dc.subjectSocial networking sites
dc.subjectVisual merchandising
dc.titleImagery makes social media captivating! Aesthetic value in a consumer-as-value-maximizer framework
dc.typeArticle

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