Contesting space fragmentation, generic multiplicity, and polyvocality in Rabih Alameddine's Koolaids, the art of war - by Farah Ziad Aridi

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dc.contributor.authorAridi, Farah Ziad
dc.contributor.departmentDepartment of English
dc.contributor.facultyFaculty of Arts and Sciences
dc.contributor.institutionAmerican University of Beirut
dc.date2011
dc.date.accessioned2012-06-13T07:35:27Z
dc.date.available2012-06-13T07:35:27Z
dc.date.issued2011
dc.descriptionThesis (M.A.)--American University of Beirut, Dept. of English, 2011.;"Advisor : Dr. Syrine Hout, Associate Professor , English--Member of Committee : Dr. Maher Jarrar, Professor, Civilization Sequence Program--Member of Committee : Dr. Michael Dennison,
dc.descriptionBibliography : 143-145.
dc.description.abstractThis thesis exposes the way in which Koolaids, through its fragmented style of narration and its employment of other literary techniques (polyvocality, generic multiplicity, and non-linearity) allows for venues of articulation of marginalized and deprived
dc.format.extentix, 145 leaves 30 cm.
dc.identifier.urihttp://hdl.handle.net/10938/8637
dc.language.isoen
dc.relation.ispartofTheses, Dissertations, and Projects
dc.subject.classificationT:005461 AUBNO
dc.subject.lcshAlameddine, Rabih. Koolaids
dc.subject.lcshAIDS (Disease) -- Patients -- Lebanon -- Fiction
dc.subject.lcshGay men -- Lebanon -- Fiction
dc.subject.lcshLebanon -- History -- Civil War, 1975-1990 -- Fiction
dc.titleContesting space fragmentation, generic multiplicity, and polyvocality in Rabih Alameddine's Koolaids, the art of war - by Farah Ziad Aridi
dc.typeThesis

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