Performing memory, violence, identity, and the politics of the present with UMAM - by Susan Theresa Barclay

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dc.contributor.authorBarclay, Susan Theresa
dc.contributor.departmentDepartment of Social and Behavioral Sciences
dc.contributor.facultyFaculty of Arts and Sciences
dc.contributor.institutionAmerican University of Beirut
dc.date2007
dc.date.accessioned2012-06-13T07:10:58Z
dc.date.available2012-06-13T07:10:58Z
dc.date.issued2007
dc.descriptionThesis (M.A.)--American University of Beirut, Dept. of Social and Behavioral Sciences, 2007.;"Advisor: Dr. Kirsten Scheid, Assistant Professor, Department of Social and Behavioral Sciences--Member of Committee: Dr. Livia Wick, Assistant Professor, Departm
dc.descriptionBibliography : leaves 229-238.
dc.description.abstractThis thesis explores the performance of memories, civil violence, identity and t he politics of the present within the context of an exhibition, Collecting Dahi yeh, created by one Beiruti civil society actor, UMAM, in 2006. In the first ch apter, I app
dc.format.extentx, 238 leaves : col. ill. 30 cm.
dc.identifier.urihttp://hdl.handle.net/10938/7556
dc.language.isoen
dc.relation.ispartofTheses, Dissertations, and Projects
dc.subject.classificationT:004972 AUBNO
dc.subject.lcshViolence -- Lebanon
dc.subject.lcshMemory
dc.subject.lcshLebanon -- History -- Civil War, 1975-1990 -- Art and the war
dc.titlePerforming memory, violence, identity, and the politics of the present with UMAM - by Susan Theresa Barclay
dc.typeThesis

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