Reading race and rita in the lady from Shanghai decrypting the mogul, the star, and the auteur
| dc.contributor.author | Gonsalves, Joshua David | |
| dc.contributor.department | Department of English | |
| dc.contributor.faculty | Faculty of Arts and Sciences (FAS) | |
| dc.contributor.institution | American University of Beirut | |
| dc.date.accessioned | 2025-01-24T11:23:52Z | |
| dc.date.available | 2025-01-24T11:23:52Z | |
| dc.date.issued | 2017 | |
| dc.description.abstract | This essay explicates the desire to be independent that derives, I argue, from the moguls who invented Hollywood, resistant actors (James Cagney) and 'rogue producers (David O. Selznick). My historical analysis of this desire as it circulates among these figures will be supplemented by script variations of The Lady from Shanghai. | |
| dc.identifier.uri | http://hdl.handle.net/10938/25858 | |
| dc.language.iso | en | |
| dc.publisher | University of Manitoba | |
| dc.source | Scopus | |
| dc.subject | Literature and literary theory | |
| dc.title | Reading race and rita in the lady from Shanghai decrypting the mogul, the star, and the auteur | |
| dc.type | Review |
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