The function of art in Margaret Atwood's Lady Oracle and Cat's Eye - by Carol Nahi Fadda

dc.contributor.authorFadda-Conrey, Carol N.
dc.contributor.departmentDepartment of English
dc.contributor.facultyFaculty of Arts and Sciences
dc.contributor.institutionAmerican University of Beirut
dc.date1998
dc.date.accessioned2012-06-13T06:44:25Z
dc.date.available2012-06-13T06:44:25Z
dc.date.issued1998
dc.descriptionThesis (M.A.) -- American University of Beirut. Department of English, 1998;"Advisor Dr. Salwa Ghaly, lecturer, English--Member of Committee: Dr. Kassem Shaaban, Associate Professor, English--Member of Committee: Dr. Christopher Nassar, Associate Professo
dc.description.abstractThis thesis undertakes the analysis of the function of art in Margaret Atwood's Lady Oracle (1976) and Cat's Eye (1988), tracing the evolution of this writer's views on art from one novel to another. While art in Lady Oracle takes the form of gothic roman
dc.format.extentviii, 98 leaves
dc.identifier.urihttp://hdl.handle.net/10938/5448
dc.language.isoen
dc.relation.ispartofTheses, Dissertations, and Projects
dc.subject.classificationT:003884 AUBNO
dc.subject.lcshAtwood, Margaret Eleanor, 1939-. Lady Oracle;Atwood, Margaret Eleanor, 1939-. Cat's eye
dc.subject.lcshArt in literature
dc.titleThe function of art in Margaret Atwood's Lady Oracle and Cat's Eye - by Carol Nahi Fadda
dc.typeThesis

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