dc.contributor.author |
Harb, Sirene Hussein |
dc.date.accessioned |
2012-06-13T06:43:10Z |
dc.date.available |
2012-06-13T06:43:10Z |
dc.date.issued |
1996 |
dc.identifier.uri |
http://hdl.handle.net/10938/5182 |
dc.description |
Thesis (M.A.)--American University of Beirut. Department of English, 1996.;"Advisor: Dr. Salwa Ghaly, Assistant Professor , English -- Members of Committee: Dr. Christopher Nassar, Associate Professor, English Dr. Samira Aghacy, Professor at LAU, English |
dc.description |
Works cited: leaves 132-143. |
dc.description.abstract |
The thesis deals with the concept of memory in Toni Morrison's Jazz- Such a memory is presented as a flexible construct whose shape, meaning, and coherence depend on external and internal variables among which one may cite: time, space, collective histori |
dc.format.extent |
x, 143 leaves cm. |
dc.language.iso |
eng |
dc.relation.ispartof |
Theses, Dissertations, and Projects |
dc.subject.classification |
T:003742 AUBNO |
dc.subject.lcsh |
Morrison, Toni. Jazz |
dc.subject.lcsh |
Memory in literature |
dc.subject.lcsh |
American literature -- African American authors |
dc.title |
Redemptive memory in Toni Morrison's Jazz. - by Sirene Hussein Harb |
dc.type |
Thesis |
dc.contributor.department |
American University of Beirut. Faculty of Arts and Sciences. Department of English |