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The function of art in Margaret Atwood's Lady Oracle and Cat's Eye - by Carol Nahi Fadda

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dc.contributor.author Fadda-Conrey, Carol N.
dc.date.accessioned 2012-06-13T06:44:25Z
dc.date.available 2012-06-13T06:44:25Z
dc.date.issued 1998
dc.identifier.uri http://hdl.handle.net/10938/5448
dc.description Thesis (M.A.) -- American University of Beirut. Department of English, 1998;"Advisor Dr. Salwa Ghaly, lecturer, English--Member of Committee: Dr. Kassem Shaaban, Associate Professor, English--Member of Committee: Dr. Christopher Nassar, Associate Professo
dc.description.abstract This thesis undertakes the analysis of the function of art in Margaret Atwood's Lady Oracle (1976) and Cat's Eye (1988), tracing the evolution of this writer's views on art from one novel to another. While art in Lady Oracle takes the form of gothic roman
dc.format.extent viii, 98 leaves
dc.language.iso eng
dc.relation.ispartof Theses, Dissertations, and Projects
dc.subject.classification T:003884 AUBNO
dc.subject.lcsh Atwood, Margaret Eleanor, 1939-. Lady Oracle;Atwood, Margaret Eleanor, 1939-. Cat's eye
dc.subject.lcsh Art in literature
dc.title The function of art in Margaret Atwood's Lady Oracle and Cat's Eye - by Carol Nahi Fadda
dc.type Thesis
dc.contributor.department American University of Beirut. Faculty of Arts and Sciences. Department of English


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