dc.contributor.author |
Wilson-Goldie, Kaelen |
dc.date.accessioned |
2012-06-13T07:09:27Z |
dc.date.available |
2012-06-13T07:09:27Z |
dc.date.issued |
2005 |
dc.identifier.uri |
http://hdl.handle.net/10938/7068 |
dc.description |
Thesis (M.A.)--American University of Beirut, Center for Arab and Middle Eastern Studies, 2005.;"Advisor: Stephen Sheehi, Assistant Professor, Civilization Sequence Program--Member of Committee: Samir Khalaf, Professor, Department of Social and Behavioral |
dc.description |
Bibliography: leaves 206-211. |
dc.description.abstract |
Over the past fifteen years, Lebanon has witnessed a surge in contemporary art p ractices in such media as video, installation, performance, and urban interventi on. An impressive set of aesthetic strategies and a substantial body of critical discourse ha |
dc.format.extent |
xii, 211 leaves : ill. (some col.) 30 cm. |
dc.language.iso |
eng |
dc.relation.ispartof |
Theses, Dissertations, and Projects |
dc.subject.classification |
T:004707 AUBNO |
dc.subject.lcsh |
Video art -- Lebanon |
dc.subject.lcsh |
Art and society -- Lebanon |
dc.subject.lcsh |
Politics in art |
dc.subject.lcsh |
Art, Modern -- 21st century |
dc.title |
Digging for fire contemporary art practices in postwar Lebanon - by Kaelen Wilson-Goldie |
dc.type |
Thesis |
dc.contributor.department |
American University of Beirut. Faculty of Arts and Sciences. Center for Arab and Middle Eastern Studies |