dc.contributor.author |
Jaber, Nagham Ghali |
dc.date.accessioned |
2012-06-13T07:14:45Z |
dc.date.available |
2012-06-13T07:14:45Z |
dc.date.issued |
2009 |
dc.identifier.uri |
http://hdl.handle.net/10938/7942 |
dc.description |
Thesis (M.A.)--American University of Beirut, Dept. of English, 2009.;"Advisor : Dr. Robert Myers, Associate Professor, Department of English--Member of Committee : Dr. Syrine Hout, Associate Professor, Department of English--Member of Committee : Dr. Mic |
dc.description |
Bibliography : leaves 142-156. |
dc.description.abstract |
In this thesis, I examine Tom Stoppard's rewriting of Shakespeare's Hamlet in th e twentieth century especially through his 1966 Rosencrantz and Guildenstern are D ead. My aim throughout this thesis is to trace Stoppard's rewriting of Shakespea re between |
dc.format.extent |
xi, 156 leaves 30 cm. |
dc.language.iso |
eng |
dc.relation.ispartof |
Theses, Dissertations, and Projects |
dc.subject.classification |
T:005262 AUBNO |
dc.subject.lcsh |
Stoppard, Tom. Rosencrantz and Guildenstern are dead |
dc.subject.lcsh |
Postmodernism (Literature) |
dc.title |
Play's the thing Tom Stoppard's Rosencrantz and Guildenstern are dead andrewriting Hamlet in the twentieth century - by Nagham Ghali Jaber |
dc.type |
Thesis |
dc.contributor.department |
American University of Beirut. Faculty of Arts and Sciences. Department of English |