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Play's the thing Tom Stoppard's Rosencrantz and Guildenstern are dead andrewriting Hamlet in the twentieth century - by Nagham Ghali Jaber

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dc.contributor.author Jaber, Nagham Ghali
dc.date.accessioned 2012-06-13T07:14:45Z
dc.date.available 2012-06-13T07:14:45Z
dc.date.issued 2009
dc.identifier.uri http://hdl.handle.net/10938/7942
dc.description Thesis (M.A.)--American University of Beirut, Dept. of English, 2009.;"Advisor : Dr. Robert Myers, Associate Professor, Department of English--Member of Committee : Dr. Syrine Hout, Associate Professor, Department of English--Member of Committee : Dr. Mic
dc.description Bibliography : leaves 142-156.
dc.description.abstract In this thesis, I examine Tom Stoppard's rewriting of Shakespeare's Hamlet in th e twentieth century especially through his 1966 Rosencrantz and Guildenstern are D ead. My aim throughout this thesis is to trace Stoppard's rewriting of Shakespea re between
dc.format.extent xi, 156 leaves 30 cm.
dc.language.iso eng
dc.relation.ispartof Theses, Dissertations, and Projects
dc.subject.classification T:005262 AUBNO
dc.subject.lcsh Stoppard, Tom. Rosencrantz and Guildenstern are dead
dc.subject.lcsh Postmodernism (Literature)
dc.title Play's the thing Tom Stoppard's Rosencrantz and Guildenstern are dead andrewriting Hamlet in the twentieth century - by Nagham Ghali Jaber
dc.type Thesis
dc.contributor.department American University of Beirut. Faculty of Arts and Sciences. Department of English


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