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Contesting space fragmentation, generic multiplicity, and polyvocality in Rabih Alameddine's Koolaids, the art of war - by Farah Ziad Aridi
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| dc.contributor.author | Aridi, Farah Ziad |
| dc.date.accessioned | 2012-06-13T07:35:27Z |
| dc.date.available | 2012-06-13T07:35:27Z |
| dc.date.issued | 2011 |
| dc.identifier.uri | http://hdl.handle.net/10938/8637 |
| dc.description | Thesis (M.A.)--American University of Beirut, Dept. of English, 2011.;"Advisor : Dr. Syrine Hout, Associate Professor , English--Member of Committee : Dr. Maher Jarrar, Professor, Civilization Sequence Program--Member of Committee : Dr. Michael Dennison, |
| dc.description | Bibliography : 143-145. |
| dc.description.abstract | This thesis exposes the way in which Koolaids, through its fragmented style of narration and its employment of other literary techniques (polyvocality, generic multiplicity, and non-linearity) allows for venues of articulation of marginalized and deprived |
| dc.format.extent | ix, 145 leaves 30 cm. |
| dc.language.iso | eng |
| dc.relation.ispartof | Theses, Dissertations, and Projects |
| dc.subject.classification | T:005461 AUBNO |
| dc.subject.lcsh | Alameddine, Rabih. Koolaids |
| dc.subject.lcsh | AIDS (Disease) -- Patients -- Lebanon -- Fiction |
| dc.subject.lcsh | Gay men -- Lebanon -- Fiction |
| dc.subject.lcsh | Lebanon -- History -- Civil War, 1975-1990 -- Fiction |
| dc.title | Contesting space fragmentation, generic multiplicity, and polyvocality in Rabih Alameddine's Koolaids, the art of war - by Farah Ziad Aridi |
| dc.type | Thesis |
| dc.contributor.department | American University of Beirut. Faculty of Arts and Sciences. Department of English |
